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Archive for the tag “books: YA”

Book Review: By Your Side

byyoursideTITLE: By Your Side
AUTHOR: Kasie West
YEAR: 2017
GENRE: YA Contemporary Romance
PAGES: 352
FOUND: my Kindle
TIMES READ: 1 (2017)
READ: 12/4/17 – 12/5/17
RATING: 3.5/5 stars

I have mixed feelings about this book. I love Kasie West’s writing, and there’s something about every book that will bring me back for more, but I’m not sure where I stand on this one.

On one hand, I love the idea of two people that dislike each other locked in a library, but then everything else seemed super cliched. I’m still confused on how Autumn gets locked in. Are there no emergency exits in this building? Of course, that would have triggered an alarm, but she would have been long gone, and at the beginning, she didn’t even know about Dax.

The cliches start right at the beginning. Dax is the typical “misunderstood bad boy” kind of character. He’s standoffish but always around to help Autumn. But that’s about as deep as he goes it seems. Autumn is the flakey, overachiever that tries to be everything everyone wants at the cost of herself. And her friends are completely oblivious to her issues. They don’t even realize she’s missing for over a day.

I did like the way Autumn and Dax’s relationship grew. He slowly lets her in, I think mostly because she’s open about her anxiety disorder. It’s kind of hard to not want to open up to someone who’s whole tragic life is on miserable display. He’s obviously a super sweet guy stuck in a crappy situation. I just wish they had more personality.

The way mental illness as a plot device worked for me. Autumn has some pretty serious anxiety issues, but unlike other books I’ve read, she’s trying to deal with them. She avoids telling her friends because she’s afraid they’ll treat her differently (a common belief), but she takes her meds and tries to have a normal life.

Her big freak out, though, was over the top for me. It shifts the story from the library to everyday life, but it seemed excessive to me. But then again, my anxiety issues aren’t as severe as Autumns. The whole thing does lead to my favorite part–Dax sacrificing himself to save Autumn, doing the one thing he begged her not to do for fear of being arrested. And it screws up his life as much as he predicted.

It’s after this point that I have the most problems. The two of them go back and forth on whether they even want to admit they’re friends. It’s obvious they have a connection, but Autumn lets her friends’ opinion of Dax to control her relationship with him. Which was a big turn off at that point for me.

The book had a lot of potential, and I really liked the writing. The dialogue was a lot smoother than some of her other books. The excessive use of tropes and cliches that didn’t work or were way too predictable lowered my rating. It has its cute moments, though, and I’ll read it again.

Book Review: P.S. I Like You

psilikeyouTITLE: P.S. I Like You
AUTHOR: Kasie West
YEAR: 2016
GENRE: YA Contemporary Romance
PAGES: 336
FOUND: my Kindle
TIMES READ: 1 (2017)
READ: 12/2/17 – 12/4/17
RATING: 4/5 stars

Yes, another Kasie West book. I must read them all. Every time. Expect more. *evil laugh*

P.S. I Like You is the You’ve Got Mail of high school except instead of email, they leave messages scribbled on a desk. Boy and girl hate each other in real life, but anonymously, they just click. It’s a trope and as tropes go, it’s predictable, but I still found it cute.

Mostly because I liked Cade. He wasn’t all what Lily believed. I think what I liked most (besides Cade being Cade) is how their viewpoints of events differed. Every encounter that Lily thought Cade was being an ass, he experienced a completely different way. He was always trying to protect her or get her attention, but she was so wrapped up in her belief that he was a jerk, she never saw it that way.

The whole set-up is extremely predictable. Cade is shown to be Lily’s nemesis. Then she discovers the writing on the desk. It’s obvious who the writing is from, but I still liked to see their relationship develop (in real life and through their letters) as they got closer. Once Lily figures out who her penpal is, though, things get a little annoying. It’s chapter after chapter of her angsting over liking her nemesis. It’s obvious he’s not a jerk and they have a lot in common, but she refuses to let anything happen. She pushes him away.

It’s ridiculous. I mean, once or twice with the indecision I could tolerate–I’d be the same way, but it goes on for half the book. But I give it a pass because I thought Lily and Cade were adorable together. Once she started letting him in outside of the letters.

Normally, I love all the angst and unresolved sexual tension. I love the flip-flop, fluttery heart I get when the main character realizes she wants to kiss the guy but can’t. But it got annoying in this one. Maybe because Lily ran hot and cold faster than my water heater. The whole enemies to “lovers” thing is a big plus for me. I know a lot of people don’t like the trope because it’s overused, but I will take them all. All the tropes!

Otherwise, I liked the book. Not as much as some of her others, but I’ll be reading it again. Next time a new book comes out. 🙂

Review: The Distance Between Us


TITLE: The Distance Between Us
AUTHOR: Kasie West
YEAR: 2013
GENRE: YA Contemporary Romance
PAGES: 320
FOUND: OverDrive
TIMES READ: 3 (2013, 2016, 2017)
READ: 11/29/17 – 12/1/17
RATING: 4/5 stars

This is the first book I read by Kasie West, and it was good enough for me to want to read anything else she ever published. I’ve read it three times–every time I’ve gotten a new Kasie West book. I’m weird that way.

The story is a basic Romeo and Juliet set up without all of the death. And a happy ending. But not everything is as it seems.

Caymen is poor. She works endless hours in her mom’s doll shop just to keep their heads above water. She’s been taught since birth to distrust anyone with money so she has little interest in getting to know Xander–the rich boy that comes in to buy his grandmother a gift. But Xander doesn’t take the hint. He keeps coming back until he wears down her resistance.

They begin a friendship based around helping each other figure out who they want to be when they grow up because they sure don’t want to be their parents. The problem is Caymen is sure their families won’t approve of them being together. She knows her mom will hate Xander because of his money. She assumes his parents will look down on her for her lack of it.

But things don’t end up that way which I liked about the story. The plot wasn’t complex. Lots of coming of age stuff–growing up, finding yourself, relating to parents, etc. I liked that the kids thought they knew their parents but really didn’t.

I liked a lot of the characters. Caymen and Xander are adorable together. He seems to be the only one that gets her dry humor. He also takes her ribbing in stride (although that eventually turns more judgmental than playful).

Some of them seemed to be there just to advance the plot though, like her best friend. She appears at the beginning of the book. Her boyfriend is introduced. And another friend. But by the end, they flitter in and out only when needed. At one point, I completely forgot there were other characters in the book besides Caymen, Xander, and her mother. The friends were interesting, though. Quirky but real.

The main things I didn’t like about the book were some clunky passages (a lot of those scenes where everyone literally says, “bye,” before leaving… ugh) and a bunch of loose ends. Also, everything is tied up way too easily.

Caymen finds out her mother’s huge secret when she meets the grandparents she didn’t know existed. They jump right back into her life when her mom gets sick. I loved her grandparents. They weren’t at all what Caymen expected, and it becomes obvious where she gets her good humor. But it feels like nothing is resolved. They walk back in after seventeen years like nothing happened. And they never really explain why her mother was “disowned.” It feels highly illogical considering how nice they are. Obviously a lot more going on there. That is never touched upon.

Same with Xander’s parents. He makes them out to be these controlling, snobby monsters, but they turn out to be really sweet and understanding. They really just want Xander to be happy. I wish things were resolved with them, too.

All-in-all, I enjoyed this book. I’ve read it three times so that must mean something. It’s got a lot of cute moments and funny characters. And the angst of coming of age which is my bread-and-butter. If that’s your thing, too, you’ll probably like this and all of Kasie West’s books.

Review: On the Fence

onthefenceTITLE: On the Fence
AUTHOR: Kasie West
PUBLISHER: Harper Teen
YEAR: 2014
GENRE: YA Contemporary Romance
PAGES: 320
FOUND: my Kindle
TIMES READ: 2 (2015, 2017)
READ: 11/23/17 – 11/28/17
RATING: 4/5 stars


The characters were probably my favorite part of the book. I really liked Charlie even though she was a bit of a cliche and clueless. I still found her relatable on different levels. Mostly her awkwardness at being a girl and slowly learning to understand and love herself. She had a lot of character growth over the book which is always a plus. She went from being “one of the guys,” hating her feminine side, and oblivious to life outside her crazy male family to understanding that life is more than sports and being a tomboy, that she was likeable as she is, but there’s nothing wrong in expressing her feminine side. As someone that grew up a tomboy (even if I hate sports), I could completely relate to this.

Another thing I liked about Charlie is how she related to her friends and family. She grew up with three brothers and a neighbor that’s like a brother. You can see how close they are throughout the book. My favorite part, though, is how their relationships are shown through how they act around each other. They’re often antagonizing. Actually more often than not. They mess around and compete over everything. I liked how Braden–the boy next door–isn’t immediately a love interest, although seeing their interactions made me wonder right off the bat because they did treat each other like siblings.

I just found the way they all interacted pretty realistic. I only had one brother, but I remember us being pretty close. Never like Charlie and her brothers, though. And I have five kids of my own. Three of them are teenagers, but they don’t really have friends in common and don’t do things together unless forced. Still, I think close siblings would get along like Charlie, Gage, Nathan, and Jerom.

The stuff that annoyed me about them was how they sometimes treated Charlie–like she needed to be coddled in personal (girly) stuff. They didn’t hold back in sports and competitions, but with emotional stuff, they became super overprotective. Her father was ridiculously self-conscious and inept when dealing with a daughter. And they tended to do the whole intimidate all boys to keep Charlie safe routine.


The plot is pretty typical tomboy finds her girly side. But it’s at least a little more complicated. The characters have some depth which effects the plot. It’s not all about Charlie finding her true love. In fact, her relationship status is such a slow burn, it made it much more satisfying in the end. I hate when the main characters hook up too early (and you know they’ll hook up eventually or it wouldn’t be a romance). The plot showed how Charlie was forced to confront all of the things that were holding her back in life–keeping her stagnant as the tomboy baby sister.

If you like the friends-to-lovers trope, you’re, off course, in luck. There are a lot of tropes going around. Falling for the boy next door. Tomboy girl finds her girly side. Just one of the guys. I’m sure there are many more. I’m a trope addict so all of these are pluses for me. And they’re actually pretty well done. There is a love triangle, but I thought it worked nicely without all of the blatant jealousy even if it was obvious that Charlie was with the wrong guy. It wasn’t over the top.


The one thing I really didn’t like was the whole secret they’re keeping from Charlie because it’s so traumatic she has a nervous breakdown every time it’s brought up. It made Charlie look weak and ridiculous and her family patronizing. Braden is the only one that wants her to know the truth because he thinks she can handle it. Everyone else clams up. Plus, I found the secret somewhat unappealing.


The whole suicidal mother thing was fine, although a little triggery having been a suicidal mother myself. The problem I had is that Charlie remembered nothing of being in the car when her mother killed herself. She only has nightmares to go by and a vague memory of seeing a therapist. She was supposed to be six when it happened. Her brothers all remember the accident and their mother. Even Gage who is only a year older. This is explained by her blocking it all out. It’s pointed out by Braden that they tried to tell her when she was ten but she had a break-down. She doesn’t remember any of this either. Yet she’s not in any kind of therapy anymore and everyone avoids talking about her mother. It just makes her confused and feeling incomplete.

And if I’m honest, I was a little hurt by Charlie’s insistence that her mother didn’t love them enough to stay and was selfish. I can understand feeling that way, but it’s left at that. No one speaks up about how she was sick and did what she thought was best because of her illness. That she wasn’t trying to be selfish. It just contributes to the stigma of mental illness. And that bothers me. A lot. I wish there had been at least one person that told Charlie that it was okay to feel that way but sometimes things aren’t as easy as they seem–that her mother was in a lot of emotional pain and it was unfair to blame someone for an illness killing them.

I guess, at the least, they didn’t reinforce her convictions by agreeing with her. They just brushed it off. And at the end, they did all finally start talking about their mother. The whole secrets situation just bothered me.


I’ve become a big fan of Kasie West. I really like her style of writing and how her characters relate realistically with each other even if the plots are full of silly tropes and cliche situations. The dialogue comes off as natural to me and is full of lots of sarcasm and humor. I didn’t find many (if any) spelling/grammar mistakes and thought the book was really well written. The plot unfolded naturally. It didn’t feel forced for the most part, although there were a few spots I felt things were shoehorned in simply to push the plot forward. But it wasn’t too bad.

For me, this is another win for Kasie West that will be going in my “favorites” pile.

I recommend it to anyone that likes snarky characters, slow-burn romances, and clueless tomboy tropes. It’s a mostly light read, although the secrets kept from Charlie add a bit of seriousness that might be off-putting (especially to those triggered by mentions of mental illness).

Review: The Fill-In Boyfriend

thefillinboyfriendTITLE: The Fill-In Boyfriend
AUTHOR: Kasie West
YEAR: 2015
GENRE: YA Contemporary Romance
PAGES: 346
FOUND: my Kindle
TIMES READ: 2 (2015, 2017)
READ: 11/21/17 – 11/23/17
RATING: 4/5 stars

This is my second time reading this book, and I found it adorable both times. But fake dating is one of my favorite tropes. The Fill-In Boyfriend is about Gia who gets dumped in the parking lot at her senior prom. After talking-up her college boyfriend for months, she can’t go in empty-handed. Lucky for her, Hayden saw the whole thing go down and agrees to be Bradley for the night. Things work out well enough–at least her friends believe she has a boyfriend. But Gia didn’t expect to actually like her fake date.

What I liked about this book:

  1. Gia and Hayden being absolutely adorable together. They don’t have much in common–Gia is running for prom queen and Hayden is a big geek–but they click right away. The banter between them is natural and often hilarious. But even knowing each other only hours, Hayden is able to get past Gia’s defenses and glimpse the real her that isn’t trying to impress her friends. I liked that Gia feels she can be herself around Hayden But mostly, it’s just about Gia and Hayden being cute together.
  2. Slow-burn romance. This probably comes up in most of my reviews. Gia does start crushing on Hayden pretty early (but I can’t blame her when he shows up in a tux on the fly), but it takes them the entire book to figure out what they want. And that sets up some angsty moments that I crave because I’m crazy that way. I also like that when they finally did get together, things don’t change. They keep bantering and being silly with each other.
  3. The trope. I’m a sucker for fake dating stories. I don’t know why. They all follow the same basic outline, but I love seeing how each author does things. The Fill-In Boyfriend jumps right into the dating without them even knowing each other before that night. Despite being complete strangers, they have a great time at the prom. If they hadn’t been interrupted, I think they would have gotten even closer. But my favorite part is that the trope got a second run later when Bec sets Gia up to be Hayden’s fake date to save him from himself. There was a lot of angst and jealousy going around that party. I live for this stuff.
  4. I loved that Hayden was an actor which made it easy to slip into his role of Bradley without me worrying half the book that he’d slip up and ruin the cuteness. Plus it was adorable (there’s that word again) how he went all-in while playing Bradley. He didn’t “pretend” to be Bradley, he “became” Bradley. I guess I just love Hayden.

What I didn’t like about the book:

  1. I guess my main complaint was Gia was too cliche with worrying about being popular and impressing her friends. She was always worried about appearances. I get why authors do it–fitting in is a huge motivator for many kids and works well for the fake dating trope because things are all about appearances. I can say that Gia, at least, has some growth. Eventually, she learns that not everyone is who they appear, including herself. She finds Hayden who introduces her to Bec who teaches her to be herself and realizes she’s holding herself back by clinging to her friends even though she’s known for a while that she’s grown apart from them. Her other redeeming quality for me is that she does try to be friends with Jules. She realizes she’s being petty and selfish and really does try. She’s just not good at communicating with Jules. Of course, Jules doesn’t make it easy. But she tries.
  2. Gia’s family drove me nuts. There was supposed to be a contrast between Hayden and Bec’s family with their free-spirit mother and Gia’s more conservative parents, but Gia’s parents were robots with zero emotion. I guess you’re not supposed to like them, but it seemed to take forever before the family broke. And then they did a complete 180 which annoyed me more.

In the end, I know a lot of readers don’t like cliches and tropes and predictable plots, but I want cute and silly. I want things to go horribly wrong with lots of angst, followed by people finally getting their act together and fluffy sunshine and unicorns at the end. If that’s your thing, then The Fill-In Boyfriend is a great pick.


Review: 99 Days by Katie Cotugno

99 Days by Katie Cotugno

Started: 10.1.15; finished: 10.5.15

Goodreads rating: 2/5 stars

my rating: facepalm

pages: 384

found: library

My main thought after reading this book is, “ow, my forehead hurts,” from all the times I facepalmed. Molly has got to be one of the dumbest, unlikable protagonists I’ve ever read bout. I liked the book enough, mostly just to see what moronic move she would make next.

In every situation, she chose the worst possible option available to her, and keeps repeating the same mistakes over and over, never learning until the end. At first, I felt sorry for her, because despite her responsibility in the initial incident, things were really crappy for her. More so than they should have been because no one in town would let her move on from her mistakes (also, they only seemed to punish her for something that took two people to do). As the story went on, though, I wanted to punch her in her face because everything that happens from that point on is on her. She made bad choice after bad choice.

About the best thing that Molly did was to finally stand up for herself against Julia and her idiot friends at the end–something she should have done a long time ago. Also, in the end, I felt a little sympathy towards her as she found out that Gabe’s intentions weren’t all that honest at the beginning of summer and Patrick also had ulterior motives in his feud with Gabe. They were both screwing with her head, and when you are bad at decision making, that spells disaster.

I summarized the book for my fifteen-year-old daughter who facepalmed about as hard as I did. It was a cautionary tale in don’t be a dumbass like Molly Barlow, and when your mom is a writer, don’t tell her your deepest, juiciest secrets, lol. Said to my fifteen-year-old daughter that likes to tell me all of her illicit doings and secrets. Fodder for my next novel, darling, fodder for my next novel.

Review: Epic Fail by Clare LaZebnik

Review of Epic Fail by Claire LaZebnik

epicfailStarted: 7.23.15; finished: 7.23.15 (read: 2013, 2014)

Goodreads rating: 4/5 stars

my rating: read again and again

pages: 295

found: in my library

Epic Fail has become one of my favorite soft teen romance novels. I love it for a quick read at the beach or to get me in the mood to write. I’ve read it three times now which is a record for me with any book.

I’ve never actually read Pride and Prejudice (I’m pretty sure I’m the only woman that hasn’t), but I’m a little familiar with the storyline. Maybe it’s because of that, I never got bored with Epic Fail. I didn’t know what to expect, having never read the original, so I was always surprised.

I loved the development of Elise and Derek’s relationship. As an adult, I laugh at all the idiotic things they do, but I understand that from a teen’s perspective, they all make perfect sense at the time. Hearing stories from my own teens… Well, I wish her life was more like Elise’s.

My favorite part was the slow realization that Derek is nothing like Elise expects and very much likes her, but is just as insecure as she is. It’s cute how they orbit each other, getting pushed and pulled from their mutual attraction, their friends, and enemies.

Elise was a bit of a dolt, not believing Derek like her–she was too wrapped up in her judgmental attitude. Juliana was a little too nice. I know a lot of teens, and I don’t think I know one that nice. I know ones that act nice around certain people (like adults), but when they’re out with their friends… not so much. I think it’s mostly because she doesn’t even get mad at her own sisters. She just accepts everything and always smooths over the disagreements everyone else has. I have five kids–three of them are teens–they fight constantly, even the “sweet and nice” one.

That leads me to Layla. If she were my kid I’d want to strangle her. I don’t think any of my kids are as annoying and spoiled. I get that she feels left out and hates sharing a room with her younger sister (who is ten and acts like a baby). My almost thirteen-year-old currently shares a room with her nine-year-old sister and five-year-old brother, and the only issues they have is the brother getting into their things and him needing to go to bed before they do. My nine-year-old acts nothing like Kaitlyn, but she has friends that do–most of them are only-children.

Chelsea also ticked me off–what a selfish, entitled brat, but I found her to be believable. There are kids like that–I’ve seen it among my children’s friends.

Anyway, Epic Fail will always be one of my favorite teen romance novels–my go-to book for a fun afternoon read. Maybe one day I’ll actually write a proper review.

Review: Leaving Paradise by Simone Elkeles

Leaving Paradise by Simone Elkeles


leavingparadiseStarted: 7/20/15; finished: 7/20/15 (originally read: 2/24/13)

Goodreads rating: 4/5 stars

my rating: worth rereading

pages: 303

found: on my shelf (originally: library)

I picked up this book from the library in 2013. I love a good romance with a lot of teen angst. I know I’m weird that way. I read in a day last time.

Well, we were heading to the coast this week, and I needed something on the light side to read, so I grabbed this off of the shelf, having bought it used to keep in my collection (my Kindle has been taken over by my kids). I almost finished it between the three hour car ride there, a half hour at the beach (before the waves called me) and the three hour ride home. It was done before I went to bed.

What I like about this book is the development of the friendship between Caleb and Maggie. It seemed believable and real, if not odd. How many people make friends with the person that ran them over with their car and ruined their life? I think it worked because there was the basis of a friendship already there, from growing up together. I loved that they were able to talk open, freely, and honestly (well, to a point on Caleb’s part) about the accident. They don’t pussyfut around the topic like everyone else in their lives.

I also loved how Mrs. Reynolds went out of her way to get them past their issues. She knew they were meant to be together. I cried when she died. Especially when Maggie started babbling about the flowers. I just lost it at that point. Then Caleb goes to her house seeking refuge from the one adult he trusted only to find out she had died. It was heartbreaking.

This was one of the few teen books I’ve read that doesn’t end happily with the boy and girl together. I cried again at the end when Caleb refuses to stay. His attitude through the whole book rubbed me the wrong way, but I can excuse it since his situation with his family and friends was pretty messed up. His reactions to situations were annoying, but realistic in a way because teens do stupid things and say stupid things, often just to get a reaction. I know–I have three of them. I can’t imagine being in Maggie or Caleb’s shoes.

All-in-all, I enjoyed this book just as much the second time around. It’s a short book, perfect for a day trip. It might not be the light, fluffy read most people like when sitting on the beach, but it had just the right amount of sarcasm and angst for me.

Who Am I Writing For?

Possible teen readers

copyright Jen Connelly 2014

When talking about writing there are two halves of me. There’s the half that writes fanfiction and the half that writes original novels. Other than on the basic scale of word choices, my styles for each are completely different. My fanfiction is oriented for an adult audience (not to be confused with adult content); my original fiction caters to readers of young adult fiction.

According to an article in Publisher’s Weekly from 2012, the number of adult readers of YA fiction is growing substantially. They cite a study done by Bowker Market Research that shows that 55% of consumers of young adult novels are adults over eighteen.

I remember first reading this article back in late 2012 or early 2013. Although I’ve been a avid reader of YA since early 2012, my first thought when seeing this statistic was, “duh, of course because they are adults buying books for their kids.” That is true, but according to the study, 78% of the people polled were buying the books for themselves. That’s a lot of people.

As a 30-something year old woman, I fall into the largest segment of readers–the 30-44 age range. Teens, though, are a shrinking demographic. A Time article notes that the number of teens reading for fun has drastically declined over the last thirty years. According to the study they cite, 45% of seventeen-year olds read for fun only once or twice a year. Only 19% of seventeen-year olds read for fun every day.

Obviously things are shifting, but what does that mean for me as a writer? It means that my style for YA fiction is converging with my style for my fanfiction. That doesn’t mean I’m suddenly going to be writing about the same things (for one, I write in a completely different genre for my fanfiction), but it means I’m writing for a different audience–to a point.

As I’ve been working on my NaNoWriMo novel this past month, I’ve noticed my thinking patterns have changed. I used to think about teens–about my kids and their friends–and about what they like when I’d develop a story. What would interest them? How would they react to a story? This time, though, I’ve been thinking about the adult readers. What would they want? What would they believe is possible within the context of my story?

Becoming aware of that has changed how I write, and how I think about YA as a genre. When thinking of promoting a book, I don’t think of reaching out to teens. I picture adults–women my age–who spend their time discussing books and writing on Goodreads, Facebook, and individual blogs. They are who I’m reaching out to.

The weird thing is that we all enjoy the same aspects of books that teens do, so why am I drawing a line between the two? I’m not entirely sure. Maybe it’s because I’ve read so many reviews of teen books commenting on the unrealistic, unhealthy relationships boys and girls have in them. Or how events are unbelievable. For adult readers, a lot of the predicaments the characters get into can easily be solved with our hindsight, but for teens, most likely experiencing these things for the first time, the situations are plausible and insightful. They might help them figure out their own lives–they don’t want to see perfect relationships; they want all the messed up emotional fallout that goes with love because that’s what they know and need to learn to deal with.

I think right now I’m balancing along the line, but leaning towards writing for my adult readers. If the trends in teen reading continue as they are (which seems likely) then adults will be the only ones reading my books. Maybe then YA fiction will lose the stigma attached to it, and those of us who read and write it won’t feel like we need to mumble through our lists of titles when someone asks what we are reading.

Should Adults be Embarrassed to Read YA Novels?


Should adults be embarrassed to read young adult novels? That the question Ruth Graham asks over at Slate. The tagline to her article, “Against YA,” reads:

Read whatever you want. But you should feel embarrassed when what you’re reading was written for children.

In her opening paragraph she states her thesis of why adults shouldn’t read YA. It’s not because the writing is bad, it’s simply because the books were written for teenagers. She then goes on to bash several popular YA novels, criticizes adults that enjoy them, and implies that adults that do read them aren’t sophisticated enough to get adult (read “real”) literature.

She bases her entire argument on her experience of reading YA books as a teen and how she just wanted to graduate to the adult aisle. She then assumes that all readers had this experience (as many, if not most, voracious readers do as teens) and simply can’t understand why adults would want to regress to the tripe of the modern teen novel.

It’s no secret that I read YA novels. In fact I love them, and I’m not embarrassed to say that. They’re fun to read. I can’t say they are great literature (whatever that means), but then again, I find supposed great literature to be pretentious most of the time. Maybe I’m not sophisticated enough to “get it.” Or maybe it’s just that when I want to read I don’t want to have to do mental gymnastics to understand what the story is about, then spend hours contemplating the meaning of it all. I just want to relax. I want to rest my brain, not exercise it.

Some of her other arguments against adults reading YA fiction just baffle me.

It’s not simply that YA readers are asked to immerse themselves in a character’s emotional life—that’s the trick of so much great fiction—but that they are asked to abandon the mature insights into that perspective that they (supposedly) have acquired as adults.

Wait, what? Since when do adults always have to keep an adult state of mind?

Most importantly, these books consistently indulge in the kind of endings that teenagers want to see, but which adult readers ought to reject as far too simple.

Who says only teenagers want to see these kind of endings? I happen to enjoy them. I don’t want to read depressing literature with complex endings. But Ruth Graham knows better than all.

She follows up with this gem:

Fellow grown-ups, at the risk of sounding snobbish and joyless and old, we are better than this.

At the risk? No, I’m sorry, Ruth, but you’re not at risk of sounding snobbish, you are a snob. A literature snob. And last time I checked, being a snob was not a positive character trait. If being a lit snob is what it means to be an adult then I want no part of it. Call me unsophisticated, dumb, or uneducated if you want, but perhaps you just don’t have the imagination that’s required to read YA fiction. In my opinion that’s your loss.

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